They work with NI’s plug-ins and third-party ones, acting as an interface that automatically maps its controls to the software’s most important attributes. Yes, that’s been done before – but never this way. With excellent screens and controls, the S-Series almost seems to suck the software from your computer and place it in the hardware, making you turn less towards your computer screen and more to what you’re actually playing you’re less technician, more musician. However, four years is a long time in the world of control – an area that’s been hotting up. I’ve since looked at the Akai Advance series which did its own successful take on giving you less computer-screen time and, more recently, Novation’s SL MkIII – another type of controller entirely and one that breaks down control barriers with both hardware and software.Ĭan NI keep up then? The A range is a cut-down version of the S-Series which has been criticised for its pricing – indeed, Googling the current S49 shows it to be around £469. NI has listened and the A49 on test here is streeting at £149 – a full £300-odd less! The A25 price is half its old siblings at £109, while the largest A61 is just £189, £400 less than the S61. #What is native instruments komplete kontrol s61 review full The first and perhaps biggest difference is you don’t get the Light Guides. These are the lit-up keys that help a lot when it comes to the scaling options that KK offers, and give you an indication of where all the different samples, keys and articulation sets are on a typical Kontakt-based instrument.

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